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　　配音翻譯結(jié)合了字幕翻譯與口語(yǔ)表達(dá)，在翻譯工作中屬于高難度類(lèi)型，尚語(yǔ)翻譯公司帶大家了解配音翻譯有什么技巧?

　　Dubbing translation combines subtitle translation and oral expression. It is a highly difficult type in translation. Shangyu translation company will show you the skills of dubbing translation?

　　配音是影視節(jié)目中非常重要的組成部分，可以利用自己的語(yǔ)言來(lái)介紹故事的人物、時(shí)間、主要情節(jié)、人物性格特點(diǎn)等等。在配音的過(guò)程中，應(yīng)該注意進(jìn)入角色問(wèn)題，也就是說(shuō)，在配音之前，要非常仔細(xì)地閱讀劇本，并認(rèn)真觀看影片、對(duì)口型，準(zhǔn)確理解譯文，把自己的心態(tài)調(diào)整到影片人物的內(nèi)心世界中，做到身臨其境。這樣，無(wú)論從語(yǔ)言、語(yǔ)氣、感情上，都可以調(diào)整到最佳狀態(tài)。

　　Dubbing is a very important part of film and television programs. You can use your own language to introduce the characters, time, main plot, character characteristics and so on. In the process of dubbing, we should pay attention to the problem of entering the role, that is, before dubbing, we should read the script very carefully, carefully watch the film and lip synch, accurately understand the translation, adjust our mentality to the inner world of the film characters, and be in their own situation. In this way, it can be adjusted to the best state in terms of language, tone and emotion.

　　在現(xiàn)實(shí)生活中，對(duì)同一件事物，不同的人會(huì)有不同的情感，這是人對(duì)客觀事物的一種心理體驗(yàn)。在藝術(shù)創(chuàng)造中，情感作為一種不可缺少的心理因素，活躍在整個(gè)創(chuàng)造過(guò)程中。郭沫若曾說(shuō)：“文學(xué)的本質(zhì)是始于情感，終于感情。”真正的藝術(shù)品是以情動(dòng)人的。配音人員在塑造人物的時(shí)候，一定要投入自己的真摯情感，而且要做到忘卻自我，掌握劇中人物內(nèi)在感情的發(fā)展線，使之成為自己的感受，這樣才能塑造出有血有肉的人物藝術(shù)形象。盡管原片是已經(jīng)定格在銀幕上的完成片，配音演員只能在原片的制約下工作，但這樣不等于說(shuō)配音演員只要模仿就行了，必須要考慮到角色的年齡、性格、身份、地位等等，這樣才能使所配音的人物鮮活起來(lái)。

　　In real life, for the same thing, different people will have different emotions, which is a kind of psychological experience of people to objective things. In artistic creation, emotion, as an indispensable psychological factor, is active in the whole creative process. Guo Moruo once said: "the essence of literature begins with emotion and ends with emotion." Real works of art are moving with emotion. When creating characters, dubbing personnel must invest their sincere feelings, forget themselves, master the development line of the characters' internal feelings and make them their own feelings, so as to create a flesh and blood character artistic image. Although the original film is a finished film that has been fixed on the screen, and the dubbing actor can only work under the restriction of the original film, this does not mean that the dubbing actor only needs to imitate. The age, character, identity, status and so on of the character must be taken into account in order to make the dubbing character fresh.

　　配音的主要任務(wù)是運(yùn)用自己的感情聲音去塑造熒屏上的人物，配音演員所運(yùn)用的音色、音量、語(yǔ)氣、語(yǔ)調(diào)、節(jié)奏和氣息，以及吐詞、吐字、邏輯重音等，甚至一個(gè)短促的口氣，一個(gè)小小的停頓，一次語(yǔ)調(diào)的微微提升，都會(huì)影響配音效果。所以要用心去體驗(yàn)角色的感情，用自己的真情去演繹角色的喜怒哀樂(lè)。但這不等于說(shuō)你理解了就能表達(dá)了。任何一種內(nèi)在的感受和想法，都會(huì)有它外在的表現(xiàn)形式。所以，作為演員就要不斷地去觀察、積累和掌握配音技巧。

　　The main task of dubbing is to use their own emotional voice to shape the characters on the screen. The timbre, volume, tone, intonation, rhythm and breath used by dubbing actors, as well as word enunciation, word enunciation and logical stress, even a short tone, a small pause and a slight increase in intonation will affect the dubbing effect. Therefore, we should experience the feelings of the role with our heart and interpret the joys, sorrows and joys of the role with our true feelings. But that doesn't mean you can express it when you understand it. Any kind of internal feeling and thought will have its external form of expression. Therefore, as an actor, we should constantly observe, accumulate and master dubbing skills.